2025 Undergraduate Juried Exhibition

Name: 2025 Undergraduate Juried Exhibition, 2/22/2025-3/8/2025
Start: 2025-02-22
End: 2025-03-08
Location: Stamps Gallery

Sonia Xiang, istheresomeonehome? — Sonia Xiang, *istheresomeonehome?* Opportunity Fund Award awardee, 2024 Undergraduate Juried Exhibition.

When

February 22 – March 8, 2025

Where

In-person Event

Stamps Gallery
201 South Division Street
Ann Arbor, Michigan 48104
Google Map/Directions
Hours/Access

Details

Exhibition
Open to the public
Free of charge

The Stamps School’s annual Undergraduate Juried Exhibition is a showcase of outstanding work produced by Stamps undergraduate students taking place at Stamps Gallery from February 22 – March 8, 2025. The opening reception will take place on February 21 from 6 – 8 pm.

A highly anticipated Stamps School tradition, the objectives of the Undergraduate Juried Exhibition are:

Encourage the creation of high-quality, innovative art and design work.
Teach students how to navigate juried exhibitions.
Promote participation in Stamps’ vibrant cultural community.

Jurors

Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space. She is Artistic Director of The Shepherd arts campus in Detroit. Previously, she was Co-Curator of Counterpublic Triennial 2023 and Associate Curator, Contemporary Art at Crystal Bridges Museum of American Art. Glenn has organized major exhibitions and commissions by contemporary artists, and holds dual Master’s degrees from the School of the Art Institute of Chicago and a BFA in Photography with a co-Major in Urban Studies from Wayne State University.

Lauren Kalman is a Detroit-based visual artist with a PhD in Practice-led Research from the School of Art and Design at the Australian National University. Her practice spans craft, sculpture, video, photography, and performance, exploring ideals of femininity, identity, and self-image. Her work has been exhibited at the Smithsonian Museum of American Art, Museum of Contemporary Craft, Cranbrook Art Museum, and elsewhere. She currently serves as professor and department chair at Wayne State University.

Mario Moore, a Detroit native, holds a BFA from the College for Creative Studies and an MFA from Yale School of Art. His paintings explore personal, social, and political themes, with works in the permanent collections of the Detroit Institute of Arts and The Studio Museum in Harlem, among others. Moore’s most recent major traveling museum exhibition, Revolutionary Times, opened at the Flint Institute of Arts in January 2024, and closed at the Grand Rapids Art Museum in August 2024.

Timeline

Deadline for Submissions: November 24, 2024
Juror Decisions Announced: Week of December 16, 2024
Accepted Student Information Session (mandatory for selected students, open to all Stamps students): January 24, 2025
Work Drop-Off: February 13 – 14, 2025
Exhibition Opening Reception at Stamps Gallery: February 21, 2025, 6 – 8 p.m.
Walkthrough with the Artists & Designers: February 22, 2025 2 – 4 p.m.
Exhibition Dates: February 22 – March 8, 2025

For more information, contact stamps-gallery@umich.edu.

Related Events

2025 Undergraduate Juried Exhibition Opening Reception - February 21, 2025
2025 Undergraduate Juried Exhibition Walkthrough - February 22, 2025

Gallery

A black and white ink drawing depicting an androgynous nude body curled up asleep next to a large, gnarled tree. Two giant cicadas are perched on the figure. The foreground is made up of tall grasses, with chrysanthemums growing up among them. Fallen apples dot the landscape, and a forest recedes into the background. The mood is peaceful yet ominous with a dark border on the top and bottom that contains fish skeletons in the center. The left and right borders resemble recessed cabinets, each with a pair of hands slicing an apple in the center, as well as a vase with a chrysanthemum and an exposed light bulb hanging from a wire. The borders are the same subjects, but drawn as inverses to each other.

Undergraduate Ronan Baumhardt: Sing

An abstract charcoal drawing on paper depicting rats sprawled out on the page in a circular motion with their tails intertwining and overlapping in a chaotic motion throughout the page.

Undergraduate Sophia Bentley: Incubation

A felt puppet man looks down at his miniature claymation set, waiting for something to happen.

Undergraduate The Stop Motion Animator's Cat: Kate Bonello

An abstract 2D piece with repeated antler-esque shapes and triangles, done in an earthy palette of warm browns, greens, teals, and blues. The piece is done in collage, creating a fragmented texture.

Undergraduate Lauren Boyce: Abstract Composition in Collage

A joyful painting of a figure reaching into a painted cup to rinse a blue paintbrush, while simultaneously touching a paintbrush to a canvas, creating an artwork. Bright colors encircle the piece, creating a sense of wonder and joy.

Undergraduate Kas Brajkovic: Another Perspective

Quilted fiber art sculptures resembling everyday objects, including a red Cola can, a white and red cigarette pack labeled 'Cigarettes,' a red, white, and blue straw, a red, white, and blue bottle cap labeled "pop cola", a white quilted plastic bag, and tan and white knitted cigarette butts, placed on a light-colored surface with a white background.

Undergraduate Amanda Brodzik: Looming Waste

A watercolor styled illustration of two kids walking through a field looking for dragonflies.

Undergraduate Sophia Cao: Storytime

An intricate artwork featuring two stylized tigers intertwined amidst a vibrant, ornate background of swirling hibiscus vine and blueberry bush motifs. The dominant color palette consists of warm golds, oranges, and indigo, creating a dynamic contrast. The detailed patterns inside and around the figures resemble calligraphic or floral designs, blending traditional and abstract elements. The fluidity of the lines and the rich textures evoke a sense of movement and harmony.

Undergraduate Aryan Chaudhry: Indigo Winter Saffron Spring

A detailed, dark pen drawing depicting a small house surrounded by trees. The house is illustrated in white, creating a strong contrast with the surrounding dark, intricate trees. Delicate lines form the leaves of the trees, and fine details like the bricks on the house's roof are visible. The drawing uses graphite shading to add depth and shadow, giving the image a dynamic, interactive quality. The illustration appears different when viewed up close or from a distance, with finer details becoming more noticeable up close. The high contrast between the white house and dark trees adds visual interest.

Undergraduate Ella Chun: Into the Unknown

The number sixteen represented by tally marks on a note book page

Undergraduate Lily Collins: Sixteen

The cookbook cover titled Flavors of Festivity by Tanvi Dalvi has a bright orange background filled with playful food ingredient illustrations like lemons, strawberries, and crackers coming out of a grocery bag. The title, in bold, retro typography, reads "Flavors of Festivity" with the tagline "Delicious Dishes for Any Occasion" below. The design feels festive and inviting, perfect for a book about celebratory recipes.

Undergraduate Tanvi Dalvi: Flavors of Festivity: An Illustrated Cookbook

A monochromatic intaglio print featuring a subject holding a pillow in a bed against a white wall. The figures arms are towards the viewer and the figure has a smile with semi-closed eyellids.

Undergraduate Aria Deason: In My Bed

On a large stone wall 5 large paintings form a ring with a larger painting in the center of them. 3 of the 5 large paintings depict houses, one of the large paintings depict three black urns on a water landscape backgorund, and the final large painting depicts a legal form. The largest painting in the center is a painted polaroid phot of a daughter, a father, and a grandmother.

Undergraduate Madison Dennis: Everything Bad Happens in Threes

A painting of a woman’s head with five hands surrounding her. A faucet protrudes from her mouth, dripping water into a cupped hand below. One hand is twisting the handle of the faucet while three others hold the woman’s hair or neck. The hands are tenses and give a restricting feeling. The woman’s face and hair are all painted blue while the hands are a warm red/orange, emitting tension and separation between the elements.

Undergraduate Leah Elliott: Hands Off

It is a painting of a woman wearing a brown top against a simple patterned yellow tapestry, holding a small red mosaic lamp with both hands. She is placed off-center on the left side of the painting. The composition has a sense of calmness, with soft yellow lighting coming from the subject's right side and having cool blueish-purple hued shadows.

Undergraduate Viktoriya Finyak: Mosaic Light

My piece shows a woman figure pouring tea from a teapot, hence drowning herself in tea. The piece is black and white. The background is made of curated newspaper to emphasize media consumption.

Undergraduate claire fuller: Spill the Tea

A figure adorned in draped fabric holds a decapitated head by its short hair against a dark background. The image is tense, dramatic, and encapsulates a sense of hopelessness and defeat.

Undergraduate Victor Garcia: Goliath (Reprise)

A tall sculpture wearing a dark blue veil and a blue and yellow skirt. Flowers radiate for the figure's midsection. The face and hands are white. The figure wears a sad expression.

Undergraduate Maria Garcia Rivera: Sentimientos Resurgentes: un pasado no tan distante pero a veces olvidado / Resurgent Feelings: a not-so-distant but sometimes forgotten Past

A ceramic sculpture of a tree of life with depicting the scenes of the creation with Eve and Adam and the scene of the Nativity. The tree is full of fruit and flowers with the symbols of the Holy Trinity at the top.

Undergraduate María Elena García-Murguía: Redeeming Eve

The left side of the piece can by perceived by touch, while the right side is a reflection of the left side. Bodies surround flowing hair to create an image that is similar to a human brain.

Undergraduate Denali Gere: Emotional Energy

A model wearing a large red dress with a long train, featuring multiple layers of distressed knit and fabric strips with screen printed images of an organ scope, the model is pulling on one of the strips from off camera, representing the pain and weight of being diagnosis with an incurable invisible illness

Undergraduate Dana Gray: Diagnosis

A painting of a Black woman showing her bare back with a magnolia in her hair which is styled in a low bun. The background is black with transparent black and white hands reaching towards her from all angles. The woman hugs herself, and her hands appear on either side of her back. On her back are open wounds. The scratches are bleeding and write out the word 'MINE'.

Undergraduate Deja Green: MINE

A magazine titled "I Just Really Love Food". The front cover displays the title in yellow on a pink background. Next to it is an unfolded version of the magazine where a recipe for gimbap, a Korean seaweed rice roll, is written out. There is an illustration of the food as well.

Undergraduate Lauren Hahn: I Just Really Love Food: A Half-Korean Foodie Zine

A painting of a photomontage that is composed of utility poles, multiple rectangular windows in the distance, a blue human figure in the foreground, multiple tiny blue human figures, a tabletop lamp, a bed with a white blanket and stuffed animals strewn across it, spindly winter trees, a miniature painting of a cat, a circular mirror, a glass wall, and a zebra crossing.

Undergraduate Soyeon Han: Winter Scenescape

Tapestry pinned in the middle of the photo. The top beings as yellow and then gradates down into a bright pink color. As the main color fades from bright yellow to pink, the under coloring fades from pink at the top to yellow on the bottom. Yellow tassels hang at the bottom of the tapestry. The pattern on the textile is a diamond patterning.

Undergraduate Grace Hardy: When Paths Align

This image shows a row of seven uniquely shaped ceramic vessels placed on a wooden shelf. Each vessel has an abstract design, with various twisting and looping handles that create intricate forms. The ceramics are beige with a rough, textured surface, and some have cut-out sections or openings in their bodies. The shapes vary, with some being rounder, others more elongated, and each has a distinctive, artistic appearance.

Undergraduate Eleanor Heibel: (Dis)Connection

An oil painting on canvas depicting two human-animal hybrid figures. One human upper body and horse lower body, and another horse upper body and human lower body. Ribbon-like paint application of suspended colorful lines in liminal space. Star as center emblem.

Undergraduate Hana Ichikawa: Ligabue

Two figures, painted red and blue, argue over an unnamed issue, reflecting how debates often stem from an inability to accept differing perspectives.

Undergraduate Jett Jacobsen: All Words, No Ears.

Undergraduate Ruoqi Jiang: 72 Hours A Day

Black and white image of a young black woman, donning African attire. Her hair is natural, in the shape of an afro while her head is turned to the right.

Undergraduate Sory Keita: Afrocentrism

A watercolor painting of myself, surrounded by five stuffed animals floating softly in the background. The subject (myself) sits casually on a staircase in the foreground, dressed in comfortable clothes, while the blurry, charcoal-drawn imagery in the back adds depth and a sense of quiet reflection.

Undergraduate Leila Kerr: My Friends and Me

A graphic design poster featuring the text "First Time Feeling Like the Odd One Out" displayed in a tiled pattern. The design incorporates visuals of Dum Dums and White Rabbit candies, including their distinctive wrappers, to symbolically represent cultural diversity and the feeling of being different.

Undergraduate Quri Kim: First Time Feeling Like The Odd One Out?

Undergraduate Chloe Kreindler: Horse

A crochet sculpture of a turtle where the shell is covered in larger than life crochet flowers.

Undergraduate Katharine Kuba: Atlas

Black and white book cover that features the text "Data Visualization Ethics: The Technical and Holistic Approaches to Tackling Bias" and "Ellie Lee." The design is an abstract swirl with small condensed text filling the negative space.

Undergraduate Ellie Lee: Data Visualization Ethics: The Technical and Holistic Approaches to Tackling Bias

Young woman in dark background holding joss paper and lit incense stick; other incense sticks behind her, creating smoke; high light contrast on woman, primarily on face

Undergraduate Karen Lin: Rendition of Self Portrait of Godfried Schalken

This image is a snapshot of all 6 of the posters placed together on a single page. The posters have different flowers and descriptions on them, but maintain the same slogan and Michigan Medicine branding elements. From left to right on the top row, it is Wildflowers-Childhood trauma, Lilies of the Valley-Depression, Forget Me Nots-Loneliness. From left to right on the bottom row, it is Snapdragons-Paranoia, Hellebores-Anxiety, and a poster with all of them.

Undergraduate Elaine Liu: Build Your Own Garden - Michigan Medicine Mental Health Posters

The image depicts two small, smooth, oval-shaped devices with a clean, modern design. The devices are primarily light blue, with a white circular surface on top featuring the word "MASCOTAS" arranged along the edge of the circle.

Undergraduate Yitong Lyu: Mascotas

Katelyn is wearing a warped white sculpture that is intersecting and organic. It sits upon their head and they are looking to the side, painted all white with markings on their face.

Undergraduate Katelyn Ma: Love as a Faith Based Practice

An abstract painting, exploring layered linear forms and exploring subtle shifts in color, light, and depth. The two main color focuses are muted greens which provide the sense of grounding, and muted and lighter yellows which are in groupings toward the middle. An emphasis is placed on micro and macro transitions and relationships.

Undergraduate Fiona Maier: Past Me, Present Me, And Some Guy Off The Street

A set of prints depicting a living room in an apartment. The continuous scene is severed into nine sections. Figures are indicated through the addition of legs on the couch and the floor, but the characters are disembodied and anonymous. These distortions create a sense of surreality and mystery in what would otherwise be a mundane scene.

Undergraduate Ruth Marks: Living Room c. 2009

Undergraduate Ben Michalsky: Profilo Continuo (Testa d'il Dunce)

Undergraduate Abby Moschel: THIC (This Isn't Chocolate)

A hand woven textile with a checkered pattern of yellow, pink and blue. The weaving technique creates a textured appearance with alternating areas of tightly woven and loose strands, allowing light to pass through in some areas. At the top of the piece there are black ropes on either side, ending in tassels, the bottom is finished with braided fringe.

Undergraduate Silvia Negrut: Romania Resaturated

"My sisters and I sitting on the couch, watching the television"

Undergraduate Suzy Parker: Synesthesia

A painting of a girl floating on her back in water made with oil

Undergraduate Olivia Payne: Reflective Drifting

A vibrant oil portrait depicting a young, golden haired girl with a dark sweater and tan leather jacket. She has blue eyes and a defiant yet warm expression.

Undergraduate Isabel Pohrt: Til Cora, med Kærlighed

Landscape pastel drawings with an atmosphere of color and the negative space of flowers on white paper.

Undergraduate Asia Rothenberger: Absent Beauty

A sculpture with semi-realistic fleshy textures. It has freckles, boils, hair, veins, a subtle scar, and a wet looking orifice at the top. The abstract shape contrasts the immediately recognizable surface, making it uncanny and evoking feelings of both disgust and fascination.

Undergraduate Nik Roy: Lump of Flesh

The piece rests on a mannequin covered in a beige cloth. The armor piece has a white marble center stone. From the stone, four steel chains branch out to the right and left which then connect to two copper shoulder lapels, which both have two loops of chains hanging from them.

Undergraduate Victoria Selektor: Warrior's Garb

A rabbit in sterile clothing, who looks like a parent, is looking down with a weary and pitiful gesture at a small mouse sitting on a hospital bed right next to rabbits, wearing a mask and patient gown, with earphones plugged into a digital device that mouse was focusing on. A sign on the hospital bed where the mouse is sitting reads “Leukémyš” in small letters, and further below with a description of the mouse. Behind this are depictions of essential equipment in a hospital room, and all figures in the room were surrounded by a curtain in the hospital room. Behind the curtain, a girl with black hair and wearing a doctor’s coat watches from afar, seemingly detached from them, with her back to the viewer were drawn in an sensational, yet deep emotion of colors on the hard paper board.

Undergraduate Kyeongwon Seo: Leukémyš

The upper bodies of two little boys, about four years old, standing right next to each other laughing completely fills the frame of this acrylic painting. The boy on the left has dark brown hair with stark highlights and his face is tilted towards his left while he wears a vibrant red jacket with a black stripe going along both sleeves and has his right hand half raised in an L shape. The boy to the right looks down and slightly towards his left while wearing a loose white sweatshirt and seems to be standing slightly behind his friend. There is a sharp light being cast onto the both of them, like the flash of a camera, that illuminates the lightest wrinkles of their clothes and skin and contrasts the darkest parts of their shadows and hair. Each brush stroke varies in size and shape and is clearly visible in a way that simplifies every light and shadow and creates an impressionistic style.

Undergraduate Samridhi Sharma: You Were a Child

A hooded figure appears on a bridge, illuminated by a lamplight in a dark, inky alley.

Undergraduate Janet Shasha: Ink

Two ceramic sculptures, one representing an older version of a person, and the other representing the younger version. Both sculptures are neck-up sculptures of figures and the figures are made of brown braided clay coils. The older version is just braided, while the younger version has hair accessories that a child would don.

Undergraduate LaNaysha Simms: nostalgia

A square accordion book that is partially splayed open, with pink front and back covers. The front page says "Last semester my pills stopped working" in purple writing. The second fully visible page has two legs covered in bruises, with red writing that says "Do you really need the elevator to be fixed?" The last fully visible page is a drawing of a sickly white woman with brown hair, covered with mold, with writing that says "they left me to rot." The other pages are folded slightly inwards, not fully visible.

Undergraduate Grace Sirman: The Circle of an Ill Life

A sculpture of a man's bust is constructed entirely of recycled cardboard. The head is detailed and on top of it are industrial structure, some gears, wheels, pipes, also made out of cardboard that blend seamlessly into the organic face. The cardboard makes up the face by hundreds of verticle cross sections, glued together, mostly brown, though some add streaks of black, blue, or orange. Overall the piece evokes a sense of reflection. The face is expressionless.

Undergraduate Oliver St Cyr: Portrait of My Consumption

A large colorful painting consisting of 4 panels all with the colors of ultramarine blue, yellow orange, magenta pink and lime green. There are 2 main panels that are cut into swirly pieces. One is in the shape of a “splat” while the other is more abstract. Two colorful arms extending from the bases. One green loop extends from the top right of the painting coming up and around towards the center overlapping the main pannel. The second arm is on the bottom right curling down and back up pointing towards the center, again overlapping the main pannel. The imagery is galactic, with a Baroque pattern in the background of the two main panels. There are 3 fractals of different sizes, all consisting of different imagery, one at the bottom with blue linear patterns that emphasize the negative space, one in the middle left that has radial pink extending from it, and the third is on the top right surrounded by dots that seem like they are floating but do not have a place in space.

Undergraduate Ieva Surantas: Indeterminacy of infinity

A painting of a girl crouching surrounded by objects covered in a green slime

Undergraduate Emery Swirbalus: I Keep Rewatching Our Sextape

Undergraduate Ana Trujillo Garcia: A Bloom

A poster for Iphis and Ianthe featuring the two main characters staring up at the viewer. Written below the title are the credits which read Created by Rory Hunt, Maddie Vassalo, and Miles Hionis, Director of Photo: Maddy Ringo, Costumes: Dana Gray, Venus Stanton, Sound Design Joshua Cheng and Sinai Deng, Music Maddy Ringo, Editing Coltrane Gilman, Special thanks to the Duderstadt Video Studio and the Emerging Technologies Group.

Undergraduate Maddie Vassalo: Iphis and Ianthe

A three-page comic titled “Red Caps,” written by Maggie Watson, inspired by “Little Red Cap” recorded by the Brothers Grimm. The comic is drawn in black ink on white paper. Page one shows a close-up on a wolf’s eyes, with the words, “These woods were mine.” Figures are shown walking along a wooded path, as the wolf narrates, “Sometimes humans came to walk the path. But they did not bother me, and I did not bother them, until…” Page two continues with “They left the path.” Images of human feet in boots, a worker in a hard hat, and a bulldozer show the human encroachment into the woods. The wolf describes these images as, “They wore red caps; they brought machines with big eyes and big teeth; and came to make the woods their own.” The page ends on a fallen tree. Page three shows a sequence of images of human destruction—chainsaws and construction vehicles cutting through trees, leaving only stumps and piles of dirt behind. From the shadows of the remaining woods, the wolf watches, and says, “The humans think they have won. But they forget—these woods are mine.” The final panel is a dramatic image of the wolf’s snarling face, with the words, “And I have big teeth too.”

Undergraduate Maggie Watson: Red Caps

A large pastel drawing of a red-haired woman wearing a white bra and black shorts with her curly hair in a bun. She is seated, but what she is sitting on is not shown. Their right hand (on the left side of the portrait) covers their mouth with her elbow raised slightly above the hand. His left hand (right side of the portrait) rests on the top of his thigh with the elbow facing outward. Her right leg is folded up against her body with her right foot resting next to her opposing knee. Her face is in shadow, but we can clearly see her features. They defiantly look out at the viewer from a raised angle. The colors are warm and the texture is soft.

Undergraduate Veronica Weinberg: Speak No Evil

For this piece, I wanted to create an anatomically correct sculpture of a heart, that could still have the functionality of a vase. The heart being symbolic to being the source of the flowers life. I find interest in hearts and anatomy. So when making this, I made sure that the valve placement was correct, along with other details raised from the surface to create a realistic effect.

Undergraduate Sarah Westrick: Heart of Roses

Undergraduate Subin Yang: "곽정순" (Jeong Soon Kwak)

A luminous and thickly built up green strip separates two symmetrical gate-like panels. The strip functions as a liminal moment in which we as viewers are held in the possibilities of some other place. The layering of recognizable imagery/symbols such as '731', a key lock, a cell window, the letter R, and speckled yellow light which resembles the curve of a shoulder, serve to disrupt the symmetry of the rest of the composition. Due to the haziness of the paint application, there’s an elusiveness involved in the act of looking. Based on the orientation/proximity of the viewer to the piece surface textures flicker in and out of view.

Undergraduate Idris Young: Gate To Robben Island

1/66

Ronan Baumhardt: Sing
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Ronan Baumhardt: Sing
UNDERGRADUATE

"Sing" is an exploration of gender, or lack thereof. The character depicted is intentionally andr...
- Link to work »
2/66

Sophia Bentley: Incubation
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Sophia Bentley: Incubation
UNDERGRADUATE

"Incubation" is a tangible stream of consciousness that aims to capture a sense of liminality as ...
- Link to work »
3/66

The Stop Motion Animator's Cat: Kate Bonello
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The Stop Motion Animator's Cat: Kate Bonello
UNDERGRADUATE

Doug is learning the magic behind stop-motion animation. His cat doesn't care. This short animati...
- Link to work »
4/66

Lauren Boyce: Abstract Composition in Collage
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Lauren Boyce: Abstract Composition in Collage
UNDERGRADUATE

Magazines were eviscerated, the pieces then ripped into smaller pieces that were arranged and glu...
- Link to work »
5/66

Kas Brajkovic: Another Perspective
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Kas Brajkovic: Another Perspective
UNDERGRADUATE

This final work in my series, "The Contemporary Artist's Experience," showcases the lingering mom...
- Link to work »
6/66

Amanda Brodzik: Looming Waste
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Amanda Brodzik: Looming Waste
UNDERGRADUATE

Looming Waste is a series of quilted fiber sculptures made from recycled materials that highlight...
- Link to work »
7/66

Sophia Cao: Storytime
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Sophia Cao: Storytime
UNDERGRADUATE

Last semester I animated an audio recording of when I interviewed my dad back in 2019. He talks a...
- Link to work »
8/66

Aryan Chaudhry: Indigo Winter Saffron Spring
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Aryan Chaudhry: Indigo Winter Saffron Spring
UNDERGRADUATE

Born in America and raised in India, I navigate the complexities of dual identity, feeling both e...
- Link to work »
9/66

Ella Chun: Into the Unknown
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Ella Chun: Into the Unknown
UNDERGRADUATE

I captured this moment of an abandoned house while I was traveling around Southern France. Its de...
- Link to work »
10/66

Lily Collins: Sixteen
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Lily Collins: Sixteen
UNDERGRADUATE

My project targets the gender-based violence that is often experienced by women. I want to connec...
- Link to work »
11/66

Tanvi Dalvi: Flavors of Festivity: An Illustrated Cookbook
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Tanvi Dalvi: Flavors of Festivity: An Illustrated Cookbook
UNDERGRADUATE

Flavors of Festivity is an illustrated cookbook that blends my love for cooking and design into a...
- Link to work »
12/66

Aria Deason: In My Bed
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Aria Deason: In My Bed
UNDERGRADUATE

Working off a prompt of exploring figure and environment relationship I focused on depicting an e...
- Link to work »
13/66

Madison Dennis: Everything Bad Happens in Threes
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Madison Dennis: Everything Bad Happens in Threes
UNDERGRADUATE

After the deaths of my grandmother and father, I was left alone to not only bear the emotional bu...
- Link to work »
14/66

Leah Elliott: Hands Off
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Leah Elliott: Hands Off
UNDERGRADUATE

Anxiety can be extremely lonely. As someone who has had to live with it for years, it has been al...
- Link to work »
15/66

Viktoriya Finyak: Mosaic Light
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Viktoriya Finyak: Mosaic Light
UNDERGRADUATE

This piece is a self-portrait of myself that I painted for my ARTDES 205 Intro to Painting course...
- Link to work »
16/66

claire fuller: Spill the Tea
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claire fuller: Spill the Tea
UNDERGRADUATE

Throughout this piece I sought to dramatize the idea of overconsumption in media. The trend “spil...
- Link to work »
17/66

Victor Garcia: Goliath (Reprise)
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Victor Garcia: Goliath (Reprise)
UNDERGRADUATE

Goliath is a titan of war, seen as invincible by most. Come along little shepherd David and this ...
- Link to work »
18/66

Maria Garcia Rivera: Sentimientos Resurgentes: un pasado no tan distante pero a veces olvidado / Resurgent Feelings: a not-so-distant but sometimes forgotten Past
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Maria Garcia Rivera: Sentimientos Resurgentes: un pasado no tan distante pero a veces olvidado / Resurgent Feelings: a not-so-distant but sometimes forgotten Past
UNDERGRADUATE

This figure personifies the overwhelming emotions that overtake me when I encounter an artifact f...
- Link to work »
19/66

María Elena García-Murguía: Redeeming Eve
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María Elena García-Murguía: Redeeming Eve
UNDERGRADUATE

A tree of life inspired by the traditional Mexican sculptures depicting the Christian story of cr...
- Link to work »
20/66

Denali Gere: Emotional Energy
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Denali Gere: Emotional Energy
UNDERGRADUATE

Hair is energy, strength, and vitality. The strands intertwine bodies and perception through tact...
- Link to work »
21/66

Dana Gray: Diagnosis
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Dana Gray: Diagnosis
UNDERGRADUATE

Diagnosis is a garment manifestation of the path to becoming diagnosed with an incurable invisibl...
- Link to work »
22/66

Deja Green: MINE
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Deja Green: MINE
UNDERGRADUATE

In a way, one only has true ownership over their body. We are both born within and will die withi...
- Link to work »
23/66

Lauren Hahn: I Just Really Love Food: A Half-Korean Foodie Zine
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Lauren Hahn: I Just Really Love Food: A Half-Korean Foodie Zine
UNDERGRADUATE

As a half-Korean American, I often have trouble feeling connected with my Korean side. After goin...
- Link to work »
24/66

Soyeon Han: Winter Scenescape
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Soyeon Han: Winter Scenescape
UNDERGRADUATE

This painting is a photomontage of multiple different scenes. I’m interested in the ways in which...
- Link to work »
25/66

Grace Hardy: When Paths Align
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Grace Hardy: When Paths Align
UNDERGRADUATE

When Paths Align tells a story about people and memories moving through my being and the impact t...
- Link to work »
26/66

Eleanor Heibel: (Dis)Connection
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Eleanor Heibel: (Dis)Connection
UNDERGRADUATE

"(Dis)Connection” is a ceramic series aimed at exploring the intricate tapestry of human relation...
- Link to work »
27/66

Hana Ichikawa: Ligabue
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Hana Ichikawa: Ligabue
UNDERGRADUATE

Inspired by a video essay on Antonio Ligabue’s legacy and informed by Daniel Quinn’s Ishmael, my ...
- Link to work »
28/66

Jett Jacobsen: All Words, No Ears.
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Jett Jacobsen: All Words, No Ears.
UNDERGRADUATE

Two figures painted in red and blue engage in an argument with one another. The two personas clas...
- Link to work »
29/66

Ruoqi Jiang: 72 Hours A Day
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Ruoqi Jiang: 72 Hours A Day
UNDERGRADUATE

I personified and symbolized the life of homemakers with a pair of red high heels. In their middl...
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30/66

Sory Keita: Afrocentrism
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Sory Keita: Afrocentrism
UNDERGRADUATE

Afrocentrism celebrates the shared values and pride that connect descendants of Africa, embracing...
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31/66

Leila Kerr: My Friends and Me
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Leila Kerr: My Friends and Me
UNDERGRADUATE

I'm an only child who often found solace in conversations with my stuffed animals. While my paren...
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32/66

Quri Kim: First Time Feeling Like The Odd One Out?
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Quri Kim: First Time Feeling Like The Odd One Out?
UNDERGRADUATE

This poster series, commissioned by Michigan Medicine, advocates for the mental health of interna...
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33/66

Chloe Kreindler: Horse
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Chloe Kreindler: Horse
UNDERGRADUATE

One day on a power walk, I thought about building a giant pink wooden horse. So I made a giant pi...
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34/66

Katharine Kuba: Atlas
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Katharine Kuba: Atlas
UNDERGRADUATE

Created completely freehand with no pattern assistance this sculpture was created in a little und...
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35/66

Ellie Lee: Data Visualization Ethics: The Technical and Holistic Approaches to Tackling Bias
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Ellie Lee: Data Visualization Ethics: The Technical and Holistic Approaches to Tackling Bias
UNDERGRADUATE

In my second semester of sophomore year (2024), I researched, wrote, and designed this 60-page bo...
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36/66

Karen Lin: Rendition of Self Portrait of Godfried Schalken
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Karen Lin: Rendition of Self Portrait of Godfried Schalken
UNDERGRADUATE

Godfried Schalcken, a Dutch artist renowned for genre paintings and portraits, mastered the inter...
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37/66

Elaine Liu: Build Your Own Garden - Michigan Medicine Mental Health Posters
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Elaine Liu: Build Your Own Garden - Michigan Medicine Mental Health Posters
UNDERGRADUATE

In a collaboration with Michigan Medicine, I designed a series of six posters centered on mental ...
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38/66

Yitong Lyu: Mascotas
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Yitong Lyu: Mascotas
UNDERGRADUATE

This product was designed with the initial goal of addressing the challenges pet owners face in i...
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39/66

Katelyn Ma: Love as a Faith Based Practice
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Katelyn Ma: Love as a Faith Based Practice
UNDERGRADUATE

Organically interwoven, perched delicately and interlocking, I rest with this creature. I wonde...
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40/66

Fiona Maier: Past Me, Present Me, And Some Guy Off The Street
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Fiona Maier: Past Me, Present Me, And Some Guy Off The Street
UNDERGRADUATE

Initially, this piece was started in my early twenties, on a board I found by the side of a Brook...
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41/66

Ruth Marks: Living Room c. 2009
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Ruth Marks: Living Room c. 2009
UNDERGRADUATE

This suite of prints explores the disruption of space, perception, and memory. Inspired by the li...
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42/66

Ben Michalsky: Profilo Continuo (Testa d'il Dunce)
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Ben Michalsky: Profilo Continuo (Testa d'il Dunce)
UNDERGRADUATE

Parodying Renato Bertelli's 1933 bust, Profilo Continuo (Testa di Mussolini), Profilo Continuo (T...
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43/66

Abby Moschel: THIC (This Isn't Chocolate)
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Abby Moschel: THIC (This Isn't Chocolate)
UNDERGRADUATE

THIC (This Isn't Chocolate) is a Copenhagen-based company that creates a cocoa-free chocolate alt...
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44/66

Silvia Negrut: Romania Resaturated
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Silvia Negrut: Romania Resaturated
UNDERGRADUATE

I’ve recently reconnected with the colors of the Romanian flag, and I’ve been incorporating them ...
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45/66

Suzy Parker: Synesthesia
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Suzy Parker: Synesthesia
UNDERGRADUATE

"One of the greatest constants in my life, as long as I can remember— is music." "Synesthesia" i...
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46/66

Olivia Payne: Reflective Drifting
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Olivia Payne: Reflective Drifting
UNDERGRADUATE

The thought process behind this piece is quite simple and stems from the most common prompt for m...
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47/66

Isabel Pohrt: Til Cora, med Kærlighed
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Isabel Pohrt: Til Cora, med Kærlighed
UNDERGRADUATE

This is a portrait of one of the most important people in my life, my friend Cora, who I have kno...
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48/66

Asia Rothenberger: Absent Beauty
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Asia Rothenberger: Absent Beauty
UNDERGRADUATE

This collection of work explores an interest in the absent mark. What does it mean to mold someth...
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49/66

Nik Roy: Lump of Flesh
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Nik Roy: Lump of Flesh
UNDERGRADUATE

My Lump of Flesh is a representation of my idea of body neutrality, in which I accept the body at...
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50/66

Victoria Selektor: Warrior's Garb
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Victoria Selektor: Warrior's Garb
UNDERGRADUATE

Going into battle can mean many things—taking an exam, attending an interview, or simply stepping...
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51/66

Kyeongwon Seo: Leukémyš
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Kyeongwon Seo: Leukémyš
UNDERGRADUATE

Leukémyš is an illustration made with only oil pastels on hard cardboard. The title is a portmant...
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52/66

Samridhi Sharma: You Were a Child
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Samridhi Sharma: You Were a Child
UNDERGRADUATE

This painting was initially created as a gift for my brothers 24th birthday, but I went through t...
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53/66

Janet Shasha: Ink
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Janet Shasha: Ink
UNDERGRADUATE

This self-directed animated short spawned from a challenge I inked from a friend’s blind scribble...
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54/66

LaNaysha Simms: nostalgia
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LaNaysha Simms: nostalgia
UNDERGRADUATE

Hair has been apart of my identity since I was a child and has been a staple of expression presen...
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55/66

Grace Sirman: The Circle of an Ill Life
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Grace Sirman: The Circle of an Ill Life
UNDERGRADUATE

I am disabled, and have battled fibromyalgia and chronic fatigue for six years now. While I visua...
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56/66

Oliver St Cyr: Portrait of My Consumption
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Oliver St Cyr: Portrait of My Consumption
UNDERGRADUATE

This self-portrait was created by developing a digital 3D model, then slicing it into vertical cr...
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57/66

Ieva Surantas: Indeterminacy of infinity
$A large colorful painting consisting of 4 panels all with the colors of ultramarine blue, yellow orange, magenta pink and lime green. There are 2 main panels that are cut into swirly pieces. One is in the shape of a “splat” while the other is more abstract. Two colorful arms extending from the bases. One green loop extends from the top right of the painting coming up and around towards the center overlapping the main pannel. The second arm is on the bottom right curling down and back up pointing towards the center, again overlapping the main pannel. The imagery is galactic, with a Baroque pattern in the background of the two main panels. There are 3 fractals of different sizes, all consisting of different imagery, one at the bottom with blue linear patterns that emphasize the negative space, one in the middle left that has radial pink extending from it, and the third is on the top right surrounded by dots that seem like they are floating but do not have a place in space.$
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Ieva Surantas: Indeterminacy of infinity
UNDERGRADUATE

This piece explores the complex relationship between infinity and human time through the medium o...
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58/66

Emery Swirbalus: I Keep Rewatching Our Sextape
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Emery Swirbalus: I Keep Rewatching Our Sextape
UNDERGRADUATE

I started this piece in October 2024 after making some realizations about my struggles with codep...
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59/66

Ana Trujillo Garcia: A Bloom
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Ana Trujillo Garcia: A Bloom
UNDERGRADUATE

The A Bloom chair was designed through an iterative process blooming from concept of previous stu...
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60/66

Maddie Vassalo: Iphis and Ianthe
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Maddie Vassalo: Iphis and Ianthe
UNDERGRADUATE

Written and directed by Rory Hunt, Miles Hionis, and Maddie Vassalo, Iphis and Ianthe is a short ...
- Link to work »
61/66

Maggie Watson: Red Caps
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Maggie Watson: Red Caps
UNDERGRADUATE

This comic is an alternate telling of "Little Red Cap" as recorded by the Grimm Brothers, also kn...
- Link to work »
62/66

Veronica Weinberg: Speak No Evil
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Veronica Weinberg: Speak No Evil
UNDERGRADUATE

My time studying my body as I recreated it caused me to ponder the politicization of the human fo...
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63/66

Sarah Westrick: Heart of Roses
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Sarah Westrick: Heart of Roses
UNDERGRADUATE

I created a vase shaped like heart with preserved flowers comeing out of the vaules. This is to s...
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64/66

Subin Yang: "곽정순" (Jeong Soon Kwak)
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Subin Yang: "곽정순" (Jeong Soon Kwak)
UNDERGRADUATE

Three weeks before Thanksgiving, my grandfather collapsed from a cerebral hemorrhage. We were for...
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65/66

Idris Young: Gate To Robben Island
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Idris Young: Gate To Robben Island
UNDERGRADUATE

With specific reference to the infamous Robben Island prison which operated during apartheid Sout...
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