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A large pastel drawing of a red-haired woman wearing a white bra and black shorts with her curly hair in a bun. She is seated, but what she is sitting on is not shown. Their right hand (on the left side of the portrait) covers their mouth with her elbow raised slightly above the hand. His left hand (right side of the portrait) rests on the top of his thigh with the elbow facing outward. Her right leg is folded up against her body with her right foot resting next to her opposing knee. Her face is in shadow, but we can clearly see her features. They defiantly look out at the viewer from a raised angle. The colors are warm and the texture is soft.

Speak No Evil

Veronica Weinberg

Soft Pastel on Butcher Paper

Undergraduate
My time studying my body as I recreated it caused me to ponder the politicization of the human form. In recent years especially, our bodies have lost their neutrality and become objects of political exploits. Our ability to control them has been attacked as reproductive rights, gender-affirming care, and access to healthcare have eroded. I have felt the chains of body policy hanging heavy on me as a queer person with reproductive capability, and this piece is an expression of my frustration. Our voices have been silenced as we speak our truths, and with this work I have compounded my pain into defiance. Despite it all, I am still soft and loving and kind, like the pastels used in its creation. Softness is its own revolution in a world designed to harden the soul, and so we revolt. I love, I teach, I grow, I learn, and my body carries me. Despite it all, I live. My mouth is covered and my voice is silent, but my body is intact, proud, and seven feet tall.