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A detailed, dark pen drawing depicting a small house surrounded by trees. The house is illustrated in white, creating a strong contrast with the surrounding dark, intricate trees. Delicate lines form the leaves of the trees, and fine details like the bricks on the house's roof are visible. The drawing uses graphite shading to add depth and shadow, giving the image a dynamic, interactive quality. The illustration appears different when viewed up close or from a distance, with finer details becoming more noticeable up close. The high contrast between the white house and dark trees adds visual interest.

Into the Unknown

Ella Chun

Ink and Graphite on Paper

Undergraduate
I captured this moment of an abandoned house while I was traveling around Southern France. Its decorative exterior was in stark contrast to the overgrown foliage of its surroundings, exuding a sense of melancholy. Like the scenery of leaves, dirt, and hazy atmosphere, I saw the whole picture as an accumulation of small things coming together as one. The collection of thin, sharp lines carves out the scene out of blankness, into an ephemeral experience. This portrayal aligns seamlessly with the overarching theme of perspective, highlighting how a convergence of seemingly insignificant elements can collectively give rise to a profound and evocative narrative as well as invites viewers to think about the stories hidden in the land. This connects to the exhibition’s goal of showcasing different ways of creating art and design. This piece makes us think about our connection to forgotten spaces and the histories they hold. It sparks conversations about community-building and the need to protect our shared environments as well.