Professor, School of Art & Design
Professor, Department of Theatre and Drama
Office: 2068 AA
Phone: (734) 647-9793
B.A. (Art) Kalamazoo College, 1977
B.A. (Art) Kalamazoo College, 1977
Holly Hughes is an internationally acclaimed performance artist whose work maps the troubled fault lines of identity. Her combination of poetic imagery and political satire has earned her wide attention and placed her work at the center of America’s culture wars.
Hughes was among the first students to attend The New York Feminist Art Institute, an experiment in progressive pedagogy launched by members of the Heresies Collective. While there, she worked with feminist artists such as Miriam Schapiro and Mary Beth Edelson and participated in performance work at A.I.R. gallery.
In the early '80s, Hughes became part of the Women’s One World Café, also known as the WOW Café, an arts cooperative in the East Village established by an international group of women artists. As the Village gradually became a magnet for the avant-garde art world, WOW served as an incubator for a generation of artists.
Hughes has performed at venues across North America, Great Britain and Australia including the Walker Art Center, the Wexner Center, the Guggenheim Museum, the Yale Repertory, the Drill Hall in London, and numerous universities. She has published two books: Clit Notes: A Sapphic Sampler and O Solo Homo: The New Queer Performance, co-edited with Dr. David Roman. In addition, her work has been widely anthologized and has served as foundational material for performance studies, queer studies and feminist performance studies.
Hughes has received funding from the National Endowment for the Arts, the New York State Council, the Ford Foundation, and the Rockefeller Foundation, among others. She is the recipient of two Village Voice Obie awards, a Lambda Book Award, a GLAAD media award, and a Distinguished Alumni Award.
In addition to teaching at the University of Michigan, Hughes is co-editing Memories of the Revolution: The First Ten Years of the WOW Café, with Alina Troyano for the University of Michigan Press, and is creating a new solo piece entitled The Dog and Pony Show (Bring Your Own Pony). She has also been commissioned by the U-M Institute for Research on Women and Gender to create a new performance piece in celebration of the organization’s tenth anniversary.
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In the News
- The Heart of the Story: Narrative Forms at Stamps
- Holly Hughes and Esther Newton Give Talk in Manchester, UK
- Holly Hughes Produces Performance Pieces at Links Hall Chicago
- Stamps School Shines at CAA
- Holly Hughes to Speak at MoMA
- Holly Hughes to Perform at PS 122 Reopening
- Holly Hughes in Northern Ireland
- Holly Hughes on NEA Budget Cuts
- Holly Hughes Speaks on Trump Administration Plans to Defund the Arts
- Holly Hughes: Not My President’s Day
- Holly Hughes Organizes Nation-Wide Day of Performance Protests on 2/20/2017
- Eileen Myles and Lisa Kron In Conversation with Holly Hughes
- Holly Hughes Speaks at Institute for the Humanities
- A World of Women: Celebrating the WOW Café
- Art As Ritual Conference: Monday, Sept. 12
- Stamps School and SMTD in Oaxaca
- Holly Hughes Interviewed on WMUK 102.1 FM
- Holly Hughes’ Book Receives “Lammy” Nomination
- Erin Markey: New Musical Premieres, Profiled in NYT
- Holly Hughes: Huffington Post Interview
- Holly Hughes Featured in “Come as You Are” UMMA Symposium
- Holly Hughes Featured on The Moth Podcast
- Holly Hughes Performs at Theatre Confrontations Festival in Lublin, Poland
- PERFORM MIDWEST: Collaborative Research Project Launches with Events July 16 & 17
- Holly Hughes Performs in “Staging the Animal” at University of Illinois
- Holly Hughes Wins Award for Performance and Activism
- Holly Hughes Awarded IRWG Grant
- Holly Hughes Publishes “Memories of the Revolution”
- Holly Hughes Performs at “Avant Garde Arama”, NYC, May 1 & 2
- Holly Hughes Awarded Global Midwest Grant