In the book, 𝘍𝘪𝘣𝘦𝘳: 𝘚𝘤𝘶𝘭𝘱𝘵𝘶𝘳𝘦 1960-𝘗𝘳𝘦𝘴𝘦𝘯𝘵, Janelle Porter explains the concept of fiber work being "grounded" as exiting the space of the wall and entering the space of the floor, ceiling, and room. Created in my Fiber Sculpture course, this fabric amphibian sits proudly mid-croak on the floor awaiting his next meal.
The bumps and throat are fabric manipulation elements I stumbled upon while completing a series of explorations. I chose to use them as inspiration for a larger project, and I thought of no better way to illustrate them than on a lumpy bumpy toad! By using hand-dyed fabric and a combination of sewing techniques to create a decorative piece, the Grounded Toad hops the line between art and craft. Visible stitches speak to the handiwork that went into its creation, giving the impression it is decoration, though the large size, moveable arms, and friendly form invite interaction and play.
