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This space shows clay vessels of different clays and colors, as well as photographic prints at different heights on the wall

Hand Dance: Land as Witness

Paulina Pérez Balderrama

Harvested wild clay bodies fired at different temperatures, light sensitive gelatin silver prints, paper developer, paper fixer, and water; accompanied by a sound collage by Emelia Piane.

Undergraduate
The works in Hand Dance: Land as Witness materialize cultural knowledge of the past and present in the borderlands of Ciudad Juárez and El Paso, knowledge imbued in the land itself. They offer a deeper understanding of the intangible, shifting essence of borderland identity, capturing the tension between ancestral ties to land and the imposed boundaries that fracture cultural continuity, personal history, and collective memory. The clay, photography, and sound collage hold the circular relationship between land and self: we shape the land as much as it shapes us. La tierra nunca se olvida de nada, y por siempre estará debajo de ti. En tus pies está la intersección del pasado con el presente: tú y yo. Tú viendo y yo bailando, tal como bailó la misma tierra hace cientos de años. Donde ríos nos conectaban pero ahora muros nos separan. Lo único que nos dividía era la brava corriente del río, el río que sostenía nuestras vidas. Aunque pongas un muro, no cambiarás los siglos de fortaleza y sabiduría que la tierra contiene. Es algo de la vida colectiva, antes y después de mi existencia.