Footprints explores rhinoceros conservation through the mediums of oil painting and object-based installation. The paintings fuse symbolic imagery with open-ended narratives to examine the complex relationship between humans and rhinos, prompting reflection on conservation efforts and the consequences of illegal poaching. These works defy simple interpretation, encouraging viewers to reconsider their perspectives on wildlife preservation.
The installation features 12 stones in a circular arrangement inspired by the 易经 (Book of Changes) and its 地支 (Earth's Branches) concept, symbolizing the cyclical, interconnected nature of existence. Suspended from the ceiling above the stones are sculpted rhino horns and products made out of rhino horn, representing the tragic commodification driving the illegal trade.
Ultimately, this body of work serves to underscore the interconnected and ever-changing nature of existence. It prompts contemplation on humanity's relationship with the natural world and the ethical considerations surrounding practices such as the illegal rhino horn trade.
