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This oil painting, dating back to the late 1880s, depicts a weathered United States passport. The portrayal suggests a well-used document, marked by tears and discoloration. To the right, a distorted black-and-white image of a woman's face appears, seemingly melting off the canvas. On the left, the United States seal is presented in striking red, accompanied by the woman's signature intricately embroidered with red embroidery floss.

What if?

Aryn Weil

Oil, acrylic, embroidery floss

Undergraduate
This is a self-directed piece of my great-great-grandmother and what would be her immigration card if she had made it to America. I prepared for this piece by going through old family photos to find information on her past. I discovered that she died in a concentration camp in Germany during WW2 and wanted to create a piece depicting the possibility that she escaped. I started by using photoshop to lay out how I wanted the painting to look. I used acrylic for the background and oil for the subject. For the background, I first did the green pattern, then the red watermark on top of that, and finally the text on top of that. I copied her signature from an old document and tried an embroidery technique for the first time. I melted her face to show the distortion of reality. I chose to sew her name because I wanted it to be like someone was rewriting her story and creating a new narrative. I made this piece to discover more about my family’s past because it means a great deal to me.