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This image shows three 16" x 20" canvases arranged horizontally on a white wall. The first canvas depicts a girl with brown hair wearing all black painting on an easel. She is standing in a field, with a water towere behind her, and a red tractor behind her in the distance. There is a storm rolling in. The second canvas depicts the same brown haired girl working behind the counter as a cashier. The exit doors of the store are directly in front of the viewer, and there is an easel in the middle of the room. A can vas has fallen off of the easel, and the canvas is face down on the floor. The thirs painting depicts the girl in a small room with one window, you cannot see outside. She is sitting at a wooden dining table, and there are bills piling up on the table and falling on to the floor. There is an empty chair at the end of the table, and there is a blue liquor bottle and an ashtray on the table. There is a mirror and a blank canvas on the wall behind the girl.The wall to her right side is covered in crosses of varying shapes and sizes.

What Are You Doing?

Madison Dennis

Oil on Canvas

Undergraduate
As someone who has had experience living in poverty for the better half of my entire life, my perception of my living situation changed when I started entertaining the idea of pursuing the arts for my career. Suddenly, I became aware of how my given financial situation would affect me in ways that my peers were certainly not experiencing. There is something to be said about the completion of this project within the space that the feeling of isolation stems from – art school. With a series of three paintings, I aim to illustrate my personal reality of living in poverty as someone within the art world. Along with a narrative of the general struggle that comes with living below the poverty line, my paintings will illustrate the personal reality that comes with my journey in the arts and art education, as well as lived experiences such as working, home environments, etc. Part of the challenge of this body of work is figuring out how to convey experiences that are not always visual. Similarly, the topic of poverty is broad, and with this triptych, I focus on my experiences specifically since this is what I have the most knowledge of.