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Image of work from three quarter angle view, black foam core frame with transparency of multiple figures attached to wood base. Atop wood base is a cut paper diagram of Goya's Third of May 1808 attached to wall. In background is blurred image of another diorama depicting the Isenheim Altarpiece made in the same fashion.

Panoptic Museum: A series of studies held captive

Jacob Napier

Cut paper, foam core, transparency prints, and risograph print, 2022

Undergraduate
Often museum goers feel deterred by a fear of viewing art “improperly.” In order to create more accessible engagement with works of art, Panoptic Museum: A series of studies held captive presents a series of playful cut-paper dioramas akin to children’s pop-up books, in which the viewer is given the option to explore the visual language hidden in famous paintings through interactive pull tabs and brochures. My interdisciplinary education in art and design and art history led me to create Panoptic Museum: A series of studies held captive as a proposal for museums to add visual learning supplements alongside their exhibition labels, with the intention to reveal to the general public the unseen violence and social implications hiding in plain sight.