Digital print on archival photo paper, ceramic, mirror, metal, wood, bovine bone, 2022
In Vanitas, a Latin word for ‘emptiness’ or ‘futility’, I portray the psychological and emotional confusion that ensued during my Covid-19 quarantine experience. Within a year, the pandemic upended our ideas of normalcy and day-to-day life, leading me to reevaluate my perceptions of control. As I leaned into my spiraling curiosities and grappled with the isolation of quarantine, I suddenly felt that I had somehow missed the ledge–or maybe even jumped over it–and fallen into an inescapable existential crisis.
By personifying my unsettling thoughts through photography and installation, I depict how isolation redefined my understanding of what now feels like a blurred reality. Vanitas exhibits a series of visual metaphors that simulate the issues behind questioning personal autonomy and/or experiencing anomie: “when common values and common meanings are no longer understood or accepted [...] because there is no accepted definition of what is desirable.”
Lastly, I would like to express my sincere gratitude to the Stamps Undergraduate Research Committee for their generous support of my research and making process.