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Marc Sirinsky’s Work Featured on The Od Review

Stone Pines

The work of Stamps alumnus Marc Sirinsky (BFA 1997) is featured on The Od Review, a leading online contemporary photography publication by critic and editor Collier Brown. The in-depth article features text by both Brown and Sirinsky in relation to his Connatural series.

Sirinsky’s series Connatural muses on form at the cusp of formation. Colors draw close enough to commune with one another. But, in the end, each saturated dot protects its own sovereignty, its own unique disposition. From that kind of literal re-collection, only impressions are possible. Hence the hazy serenity of Georges Seurat and Claude Monet. In photography, that tradition filters through the brothers Lumière, whose autochromes anticipate the impressionistic spectra in Sirinsky’s work.

Captured in each of Sirinsky’s photographs is the pollen-like residue of a day, connatural with the mind’s eye, which is only to say, connatural with what our real eyes are always trying to see.

Where Nothing Subsists: The Art of Marc Sirinsky | The Od Review