This February 21-24, the Stamps School of Art & Design joins over 1,400 creative practitioners and educators from across the nation for the College Art Association’s 106th annual conference in Los Angeles, California.
Stamps Associate Professor Roland Graf will present “Play for Desirable Futures: What Emergent Technology and Early Childhood Development Have, or Could Have, in Common” on Saturday, February 24 as part of a session entitled “Speculative Play.”
Lecturer Susan Funkenstein will present “Visualizing Dance in the Third Reich: Gender, Body,... Modernity?” on Saturday, February as part of a session entitled “Modernity, Identity, and Propaganda.”
Brenna K. Murphy was awarded the 2018 CAA Professional Development Fellowship, a program that supports promising artists, designers, craftspersons, historians, curators, and critics who are enrolled in MFA, PhD, and other terminal degree programs nationwide. Fellows are honored with $10,000 grants — without contingencies — to help them with various aspects of their work, whether it be for job-search expenses or purchasing materials for the studio. On the honor, Murphy said: “I am absolutely thrilled to receive this award, and am very much looking forward to attending the conference in LA.”
Murphy’s proposal for the fellowship detailed her exploration of grief and its deep relationship to the act of making. In a series entitled Grief Work, Murphy was inspired by personal experiences of loss to create a 100-foot woven burial shroud that included strands of hair from the artist’s own head. The series also included a grave-shaped woven sculpture made with a deceased loved one's clothes. "As we are in physical contact with cloth our entire lives - swaddled at birth, covered by clothing, and shrouded upon death - textiles poignantly embody our life cycle," Murphy said of the series. "In my work, I employ this idea as well as the labor-intensive processes inherent to the creation of textiles to express my experience of loss and do the arduous work of grief."
Stephanie Brown was invited to exhibit her work at ArtExchange, CAA's unique pop-up exhibition and annual meet-up for artists and curators. This social event provides an opportunity for artists to share their work and build affinities with other artists, historians, curators, and cultural workers. For her ArtExchange exhibition, Brown will present a series of interactive works that invite discourse on skin color bias and black representation: a topsy-turvy doll, “Do Not Bleach” shirts, and a parody tanning product entitled Mulatto. “My work aims to put viewers in experiential situations that engage with racial discrimination, skin color bias, and recreate the perspective of your so-called “average” person of color,” Brown states. “By embracing moments of discomfort, I confront the hard questions in order to present them to my viewers and spark a discourse that can reach broader communities.”
For almost a century, the College Art Association has been advancing the history, interpretation, and practice of the visual arts, vigorously supporting the rights of visual artists and art historians, exploring opportunities for new directions, and responding to new needs and concerns. Of the 2018 Stamps School participation, Dean Guna Nadarajan states: “I am proud of the Stamps School community for sharing their expertise and engaging in deeper issues around creative practice and education. Together, we are helping to shape the next generation of culture makers through critical conversations today.”