Exhibitions

Exhibition Detail

William Lewis: Fragments of the Great War 1914-1918

William Lewis: Fragments of the Great War 1914-1918

January 27, 2015 – February 21, 2015

Image: “German Prisoners and Wounded- British Escort, Ypres, Belgium, 1917” watercolor, ink, 27” x 20” 1955

Tuesday, January 27 - Saturday, February 21
Opening Reception: Tuesday, February 3, 4:30-6:30 pm
Work Gallery, 306 S. State Street

“I’ve had that war with me my whole life.  It’s on my mind always.”

- William Lewis

World War I, the war that ushered in the modern era, spanned just four years.  But it’s been part of Stamps Emeritus faculty, William Lewis’ imagination for almost a century. Now the 96-year-old artist has a rare solo exhibition at Work Gallery, called Fragments of the Great War 1914-1918.

Lewis was born at the end of the war. As a young child, he poured over the images of its devastation and triumphs in the books and magazines that filled his grandparent’s attic.  He witnessed the war’s psychological aftermath firsthand in the behavior of his four uncles and father who had fought in the conflict.

For Lewis, “I was a child brought up with some of these men, their books, their photos, their nightmares.  Since then, these images have been with me.  Fascination?  Yes.  Revulsion?  That, too.  It all left a kind of inheritance, one I’ve tried to translate into paintings using various media.”

Some of the images in Fragments of the Great War have the violent abstract beauty of JM Turner landscapes, some contain actual letters and medals from the war itself.  All are intensely personal, yet mindful of their role as historical messengers. Each piece carries a caption that locates the viewer to a particular time and place. 

“Photographs have been an extraordinarily powerful resource - I draw from them, adapt elements of them, and in truth, try to see beyond the image on the print or reproduction,” says Lewis. 

“Needless to say, there has been much reading to accompany the images all these years.”

Beyond illuminating a particular event or battle, the works also foreground the role of the war in altering our modern world.

“The development of new technologies and machines for war, as an aspect of the industrial revolution, radically altered Western Civilization,” confirms Lewis.  “But ultimately, I think of the wars as a failure by governing societies to meet their potential.  The wars are a failed attempt to gain a prize, usually through greed rather than intelligent use of knowledge.”

Bill Lewis’ work stands in testimony, not to those profiteers, but to the family men, like Bill’s own relatives, whose lives were forever altered by their experiences of the “war to end all wars.”

The exhibit is on display at Work Gallery from January 27th - February 21, 2015.

The Death of Peter Strasser, Leader of Airships
German Battlecruiser Returning from Jutland
Berlin, The End of Summer 1914 - Posting the Casualty List
Pvt. Henry Breuhan, 126th Infantry, 32nd Div. AEF in Argonne Forest, 1918
The Coast of the Red Planet - Lenin in 1917, St. Petersburg
Patriot's Dream
The Hunter and the Victim, a U-Boat and Merchant Ship
Exhibition Venues

Work: Ann Arbor
Open during exhibitions Tuesday through Saturday, 12 pm to 7 pm. Closed Sundays, Mondays and Holidays. Free Admission.
306 State Street, Ann Arbor, MI 48104