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Materials On Hand: Exhibition Reception

Ellen Wilt, Bridge with Toll Booth from the Bridges series, 1995. Water Media, 21” x 51”. Courtesy of Barbara Bach.
Ellen Wilt, Bridge with Toll Booth from the Bridges series, 1995. Water Media, 21” x 51”. Courtesy of Barbara Bach. 

Thursday, May 31, 2018
6:00 – 8:00 pm


In-person Event

Stamps Gallery
201 South Division Street
Ann Arbor, Michigan 48104


Reception / Open House
Open to the public
Free of charge

Curated by Srimoyee Mitra with the assistance of James Barker and Jennifer Junkermeier, Materials On Hand: The Art of Ellen Wilt is a retrospective exhibition that pays homage to and celebrates fifty years of Ellen Wilt’s expansive art practice. Born and raised in Pittsburgh, Wilt has lived and worked in Ann Arbor since 1949 and completed two degrees (BFA, 69 and MA, 70) at the University of Michigan. She is an important figure in Ann Arbor’s art community, who has consistently worked at fostering a vibrant arts community as an artist and educator in the Academy and beyond. She was an art professor for 17 years (196985) at the Eastern Michigan University. During this time she also organized and facilitated numerous community-engaged projects that empowered first-time and emerging artists to show their work. It was not until she retired and was well into her 70s that she turned her focus to her own art practice. Her work was duly recognized with numerous awards from the Michigan Water Color Society, Washtenaw Council for the Arts, and the Holland Friends of Art between 1984 and 1993.

For the first time in the last three decades, Materials On Hand: The Art of Ellen Wilt brings together over 40 carefully selected works from personal and private collections that highlight Wilt’s artistic contributions in Southeastern Michigan. Her intuitive and playful bricolage way of working reveals the scope of her achievement and her specific interest in the Michigan region and its landscape. She has developed multiple bodies of work that feature domestic objects from teapots to chairs while also reckoning with iconic architectural tropes of bridges and tunnels which are ongoing motifs in her work. Wilt continually experiments and explores new ways of working in a variety of two dimensional mediums including, oil, acrylic and watercolor. Since the 1970s she has incorporated collage into her practice using whatever materials she has available to her. These range from butcher paper, aluminum foil, and tissue to balsa wood, toothpicks and other found objects. She creates mixed media paintings, cut outs, rubbings and installations that reimagine the agency of mundane objects and invite viewers to look again.