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Three panels of a painting are placed side by side on a white background. The first panel on the left shows a dark purple tree with a fork hanging from its branches. A figure below, wrapped in a blanket, stares up at the fork. In front, another figure lies with its hands over its face. The middle panel shows a figure standing, clasping a sheet and reaching, while another figure crawls behind, grabbing at the standing figure. Behind them, another figure extends a hand while holding a shovel. In the last panel on the right, half of the crawling figure is shown emerging from a pond. Behind, the last figure is being helped out of a hole, carrying a dead chicken.

Hunting Party

Stella Moore

Oil on Canvas

Undergraduate
Hunting Party is a work that features figures doing things. They are feeling, contorting their faces and bodies, wanting things to the degree that they are straining, grabbing, and plotting against each other. The performance of femininity is often meant to be done with a veneer of ease. This veneer obscures from view the discomfort and denial of self that can sometimes swirl underneath the surface. It can feel as if this performance demands a tranquil self-cannibalization. In this work, tranquility and veneers are set aside, allowing a view into the eddy of discomfort that femininity can produce, heightened when womanhood is not desired by the subject.