Transforming the front of Stamps Gallery into a space reminiscent of a cartonera press, Rodriguez invites viewers to engage with two collections: the first, an underwhelming archive documenting the Latina artists Stamps has invited to established programs since 2002; the second, an ever-growing accumulation of Latina artists Stamps could invite. Participants are encouraged to tear out pages from these books to build their own cartoneras in the adjacent workspace.
