Image: One Hundred Mules Walking the Los Angeles Aqueduct, 2013. Photo by Joshua White.
Lauren Bon is an environmental artist from Los Angeles, CA. Her practice, Metabolic Studio, explores self-sustaining and self-diversifying systems of exchange that feed emergent properties that regenerate the life web. Some of her works include: Not A Cornfield, which transformed and revived an industrial brownfield in downtown Los Angeles into a thirty-two-acre cornfield for one agricultural cycle; 100 Mules Walking the Los Angeles Aqueduct, a 240-mile performative action that aimed to reconnect the city of Los Angeles with the source of its water for the centenary of the opening of the Los Angeles Aqueduct. Her studio’s current work, Bending the River Back into the City, aims to utilize Los Angeles’ first private water right to deliver 106-acre feet of water annually from the LA River to over 50 acres of land in the historic core of downtown LA. This model can be replicated to regenerate the 52-mile LA River, reconnect it to its floodplain and form a citizens’ utility.
Co-presented with the Community of Food, Society and Justice Conference, October 17-18. This conference will engage students, faculty, staff, farmers, and the community in rigorous dialogue around the challenges of meeting the nutritional needs of our communities, while also protecting the planet, promoting healthy lives, and ensuring food justice. The conference is free and open to the public, thanks to its co-sponsors: the U-M Residential College, East Quad Garden, Michigan Dining, U-M Sustainable Food Systems Initiative, U-M Sustainable Food Program, U-M Campus Farm, Knight Wallace House, U-M Program in the Environment, Michigan Law Environmental Law and Policy Program, U-M Museum of Anthropological Archaeology, and the Penny Stamps Distinguished Speakers Series.
Unless otherwise noted, all programs take place on Thursdays at 5:10 pm at the historic Michigan Theater, located at 603 E. Liberty Street in downtown Ann Arbor, and are free of charge and open to the public.