The Place of the Artist is on the Side of the Weak: A Manifesto for the 21st Century
April 2, 2020
Live Penny Stamps Speaker Series events have been suspended for the remainder of the Winter 2020 semester, but presentations may be rescheduled or posted as videos online. Please check back for additional details.
Gluklya (Natalia Pershina-Yakimanskaya) is a visual and performance artist. Her manifesto states: “The place of the artist is on the side of the weak.” She uses clothing, installations, video, participatory projects, text, and research to develop a concept of fragility. For Gluklya, fragility is interpreted not as “delicate beauty” but as “invisible strength.” Her work explores topics of social exclusion, untapped intuitive knowledge, mind-body connections, violation of human rights, and stereotypes. Considered a pioneer of Russian performance art, Gluklya is a co-founder of the Factory of Found Clothes (FFC) and the group Chto Delat (What is to be done?). In 2012, FFC became the Utopian Unemployment Union, a project that unites art, social science, and progressive pedagogy to give people from all social backgrounds an opportunity to make art together. Today, the artist participates in many international shows including the 56th edition of the Venice Biennale (2015) and Positions #4 at the Van Abbemuseum in the Netherlands (2018-19). She has been awarded numerous art prizes and grants, including a fellowship from the Joseph Brodsky Fellowship Memorial Fund in 2014 and support from the Mondriaan Fund for recent projects.
Presented in partnership with the U-M Center for Russian, East European, and Eurasian Studies (CREES).