Penny W. Stamps School of Art and Design at the University of Michigan
 

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Joyce Brienza Exhibits at Great Lakes Drawing Biennial

September 16, 2014

Curated by Jason Franz of Cincinnati, the Great Lakes Drawing Biennial is a juried show open to artists in Michigan, Ohio, Indiana, Minnesota, Wisconsin, New York and Pennsylvania. Hosted by Eastern Michigan University once every two years, it highlights artistic activity related to all manner of contemporary drawing. The exhibition will run from September 3 - October 15, 2014 with an opening reception on Wednesday September 24 from 4-7pm.

http://art.emich.edu/events/great-lakes-drawing-biennial-2014

Joyce Brienza Exhibits at Great Lakes Drawing Biennial

Exhibition: Displacements

September 16, 2014

Displacements, an exhibition of work by faculty from the Stamps School of Art & Design curated by Gunalan Nadarajan, opens Oct. 15 at the School of Arts, Renmin University of China.

The notion of displacement is fundamental to any and all exhibitions insofar as an object that is displayed in a space other than where it was produced has essentially been displaced. The history of exhibition is in many ways thus a history of displacements ­— of site, space, context and therefore ultimately, meaning. What does displacement do to these works? Does the work mean and operate differently in different contexts or are some works essentially the same wherever they are shown? Members of the faculty from the Stamps School of Art & Design participating in this exhibition offer provocative responses to these complex questions of culture, context and meaning.

Exhibiting Artists:

  • David Chung
  • Jim Cogswell
  • Matt Kenyon
  • Heidi Kumao
  • Lou Marinaro
  • Rebekah Modrak
  • Anne Mondro
  • Cynthia Pachikara
  • Robert Platt
  • Marianetta Porter
  • Endi Poskovic
  • Michael Rodemer
  • Bruce Tharp
  • Stephanie Tharp
  • Nick Tobier

Opening Reception: 10/15
Exhibition Dates:  10/15 – 11/04, 2014

School of Arts, Renmin University of China
No.59 Zhongguancun St. Haidian Dist, Beijing 100872, P.R.China
中国北京市海淀区中关村大街59号中国人民大学艺术学院办公室, 乐丽君老师, 邮编:100872

Exhibition: Displacements

Bill Burgard: Art Installation for University of Michigan Hospital

September 10, 2014

Bill Burgard (BFA ‘79) was recently commissioned to create large format portraits of the UM Hospital Department of Gastroenterology’s top five researchers.

Images that reflect each individual’s projects and contributions to their fields were included. The idea was to tell a visual story of the groundbreaking work done at the unit and to provoke the curiosity of patients and visitors to appreciate the less glamorous world of endoscopic procedures. At first glance this seemed very oxymoronic. After meeting with all of the physicians and discussing their resources and tools I came up with a wealth of provocative images to weave into the five compositions.

Each portrait is painted in oil on a gessoed wood panel. The accompanying illustrations are done in mixed media on paper. All images were scanned and assembled using Illustrator and Photoshop. The final output is on heavy weight archival paper.

The installation was completed on July 1 this summer. It can be seen during business hours in the MPU hallway, on the second floor of University Hospital, main building.

http://wcburgard.com

Bill Burgard: Art Installation for University of Michigan Hospital

Melanie Manos: Artist in Residence at UCross

September 10, 2014

Melanie Manos is one of eight Artists in Residence at the UCross Foundation Residency Program in northern Wyoming. She is working on new drawings and a series of maquettes for an installation based on the built environment and human influence on the natural environment.

http://www.ucrossfoundation.org/residency-program/

Melanie Manos: Artist in Residence at UCross

River Tattoo: Jim Cogswell’s Entry to ArtPrize 2015

September 10, 2014

River Tattoo, an eighty-five foot long adhesive vinyl window mural celebrating the Grand River, is Jim Cogswell’s entry in this year’s ArtPrize.

River Tattoo is my entry to ArtPrize 2014. The eighty-five foot long adhesive vinyl window mural celebrates the Grand River, which flows through the heart of Grand Rapids beside the Eberhard Center where it is installed. I am enchanted by the river’s power and its sparkling patterned surface, constantly shifting in response to the forms of the ripples, the light, and the reflected environment, much like the colored vinyl on the windows. I love the Blue Bridge over the river, its rhythmic diagonal patterns of steel beams, its beautiful color, and its rare and generous invitation to experience the river on foot.

The river flows through my mural in a pattern of rhythmic lines rising and falling around the bend in the building, with the bridge reflected in it. The mural’s clouds, its flora, its teeming bestiary of creatures both sinister and benign seem to inhabit the world reflected in the glass, suggesting that the space around us is full of possibilities we have not yet begun to imagine. A striped portal welcomes you as you exit the bridge. Bugs buzz in its lacework. Birds fly through its tunnels of space. Can you find the Hiss Brothers? The Nut Crunching Toucan? The Guardians? Chief Noahquageshik’s Four-Armed Shield? The Green Turtle, the Hat Mollusk, the Thunder Shoes? Here the familiar is made strange: dark dreams assembled from houseplants, heads within heads, faces in the foliage.

River Tattoo is made from thousands of pieces of adhesive vinyl, each separate shape applied directly to the glass in a mosaic of colored fragments. The vinyl color is cast, not printed, so that it permeates the material, making it equally vibrant on both sides. Negative spaces within and between design elements frame reflections of the landscape in the windows, including ourselves, the viewers. Rhythmic sequences respond to our movements; the design itself seems to change as we move by. The vinyl colors respond to the incidence and intensity of light influenced by weather and time of day. At night the spotlighted silhouettes enliven the exterior of the building, suggesting an oversize cabinet of wonders within the deep niches.

The mural’s design is based on hand made drawings and photographs that were later translated into a digital format to be fabricated and assembled for installation. The multicolored foreground figures are based on collages that use hundreds of shapes assembled from hand cut adhesive shelf paper from the hardware store. The line patterns began as ink drawings on paper of zoomorphic characters that I mirrored, recombined, and multiplied. I used photography to create silhouettes of houseplants, which I digitally hybridized to create mutant species with specifically targeted visual shapes and emotional resonances. If you look closely you can identify the forms of potted palms, orchid stems, night blooming cereus, angel wing begonias, jasmine, wisteria, agave, and a jade plant.

ArtPrize 2014 officially runs September 24 to October 12. Be sure to visit and vote for your favorite entries. River Tattoo is already installed and will remain up for a minimum of three years.

Vinyl fabrication by Dave Michalak of Imagecrafters, Inc., Ann Arbor

Fabrication funded with support from the Stamps School of Art & Design, the University of Michigan Office of the Vice-President for Research, and Grand Valley State University.

River Tattoo: Jim Cogswell’s Entry to ArtPrize 2015

Endi Poskovic Lectures at Tokyo University of the Arts

September 10, 2014

Endi Poskovic presents “Toward a Universal Pictorial Language: Modern Woodcut Movement in China”, a paper which introduces new perspectives on contemporary mokuhanga in China. Poskovic’s paper examines the work of the new generation of contemporary Chinese artists, namely Chen Qi, Zhang Fang, Zhang Xiaofeng, Chen Limin, Fang Limin and others, the artists who, by applying mokuhanga’s traditions as a point of departure, have established an independent, visual and technical vernacular and effectively moved away from the general paradigm of the traditional Chinese woodblock print into contemporary art.

Mokuhanga is the Japanese word for printing using the waterbased woodblock technique developed during the Edo period. Moku means wood and hanga can be translated as printing. This technique has gained recognition as a flexible and non-toxic method of printmaking for contemporary creative artists. While many international artists are now making prints with this technique, it is still difficult to find information to develop the skills, and to find tools, materials, markets, text books and research opportunities related to mokuhanga.

Held in Tokyo and hosted by Tokyo University of the Arts (Tokyo Geidai), known for the exceptional quality of its arts programs and home to a respected printmaking program, the International Mokuhanga Conference 2014 brings together printmakers, academicians, researchers and materials/tool makers. The Conference offers a forum for international discussion, and a way for people from different disciplines and different countries to share ideas about this exciting technique, rooted in history, but evolving in new directions that reflect the ideas of contemporary artists.

September 10-14, 2014
Tokyo University of the Arts and Arts Chiyoda

Endi Poskovic Lectures at Tokyo University of the Arts

Endi Poskovic Exhibits in Midtown Manhattan

September 10, 2014

Endi Poskovic exhibits in the Big Picture Show at 1285 Avenue of the Americas Art Gallery. Curated by the International Print Center New York in partnership Jones Lang LaSalle, the 1285 Avenue of the Americas Art Gallery presents the Big Picture Show, an exhibition of contemporary prints by artists originally shown at IPCNY in New Prints shows. Artists in the exhibition are Polly Apfelbaum, John Baldessari, A.J. Bocchino, Ann Conner, John Robert Craft, Jeffrey Dell, Tânia Bandeira Duarte, Carroll Dunham, Kevin Frances, Beth Ganz, Bryan Nash Gill, Joanne Greenbaum, Torrie Groening, Imi Hwangbo, Mel Kendrick, Jane Kent, Joyce Kozloff, Nicola López, Martin Mazorra, S.V. Medaris, Julie Mehretu, Beatriz Milhazes, Steven Millar, Serena Perrone, Endi Poskovic, Jenny Robinson, Richard Ryan, Tomas Vu, Sandy Walker and Terry Winters.

Organized three times a year, New Print Shows form the core of IPCNY’s programming. Each of the exhibitions is selected by an independent jury sorting through thousands of submissions ranging from self-published artists to international print workshops and publishers.

The Big Picture Show
1285 Avenue of the Americas Art Gallery
Between 51st and 52nd Street, New York City
Gallery hours: Monday-Friday, 8 a.m.-6 p.m.

Opening Reception: September 8th, 2014; 6-8pm
On View: September 8 - December 5, 2014

Endi Poskovic Exhibits in Midtown Manhattan

The Poetry of Places: an Evening of Creative Audio

September 3, 2014

In the Dark and The Smitten Mitten Audio Collective present The Poetry of Places: an evening of creative audio

Saturday September 13, 7:30-9:00 PM
Matrix Theatre, 2730 Bagley St, Detroit
Free

Join curators from the UK’s celebrated In The Dark series for an evening of unforgettable listening — radio documentaries, soundscapes, creative audio from some of the world’s most innovative audio producers. Hang on to your seats as we travel to faraway places. Think of it as movies for your ears.

About the presenters:
‘In the Dark’  is the UK’s major spoken word audio and live listening organization. Over the past five years they have commissioned new works from producers around the world, and staged countless live listening events all over Europe. In the Dark aims to create a mini-revolution in the way people think about spoken-word radio by lifting it out of its traditional settings and celebrating it in new and exciting ways.

‘The Smitten Mitten Audio Collective’ is a group of audio artists and radio journalists based in Detroit and Ann Arbor who meet to share inspiration and workshop creative projects.  They exist to nourish, assist and inspire one another, and the general public, through the creation of thought provoking, convention bending audio.

Arrive early, seating is limited.

Directions to the Matrix Theatre
Parking is attached to the Theatre’s property.

Questions? Contact .(JavaScript must be enabled to view this email address)

This event is made free and open to the public thanks to support from the Penny W. Stamps School of Art & Design at the University of Michigan.

The Poetry of Places: an Evening of Creative Audio

T. J. O’Keefe : New Furniture Designs

September 3, 2014

T.J. O’Keefe (BFA 2004) has released two new furniture designs: the CIRCUIT lounge chair and the LOOP side table and console. Made of a series of loops that intersect in strategic places to form its structure, the CIRCUIT lounge chair challenges perception and form. Its multiple planes of lines visually overlap to create new and interesting graphic compositions from every angle.

The LOOP side table and console are about repetition, continuous loops, and critical points of intersection. Using one single form of material, the LOOP tables explore the space and graphic qualities of intersecting lines.

To learn more and see images of CIRCUIT and LOOP, visit http://www.tjokeefe.com.

T. J. O’Keefe : New Furniture Designs

David Turnley: Best New Filmmaker, Documentary of the Year

September 3, 2014

At their annual awards ceremony in LA last week, NewFilmmakers Los Angeles named David Turnley the Best New Filmmaker of the Year 2013, and his film Shenandoah was named the Best Feature Documentary of the Year.

An epic feature documentary film about a coal mining town with a proud immigrant heritage, once pivotal in fueling America’s industrial revolution and today in decline and struggling to survive and retain its identity, soul and values - all of which were dramatically challenged when four of the town’s white, star football players were charged in the beating death of an undocumented Mexican immigrant named Luis Ramirez. Shenandoah creates a deeply felt portrait of a working class community, and the American Dream on trial.

David Turnley: Best New Filmmaker, Documentary of the Year

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