News & Events
July 30, 2015
Joe Trumpey discussed his family’s off-the-grid lifestyle in an interview on Stateside with Cynthia Canty, produced by Michigan Radio (91.7 FM). Joe and Shelly Trumpey, with daughters Autumn and Evelyn, were named 2015 Homesteaders of the Year in the August/September issue of Mother Earth News magazine.
Living off the grid can be a lot of work, but Joe and Shelly Trumpey and their two daughters have managed it for years. Their home is near Grass Lake in Jackson County. Finished in 2009, the home relies on straw bale insulation, solar power year-round, wood burning in the winter and efficient construction to keep it running.
The home is surrounded by acres of garden and pastures for the family’s sheep, goats, turkeys, rabbits, chickens and ducks.
July 30, 2015
Cathy VanVoorhis’ (MFA 1986) oil painting, Reichert’s Pond in Late Summer, won the juror’s merit award for 2-D work in the Dow Museum of Science and Art’s Greater Michigan Art Exhibit. This exhibit will be on display through Sept. 11, 2015 at the Dow Museum in Midland, MI.
This painting was done in collaboration with South East Michigan Legacy Land Conservancy in the effort to bring public appreciation to sensitive natural landscapes in S.E. Michigan. The Reichert Preserve, with several important wetlands in the Huron River watershed, was set aside two years ago for preservation in its natural state.
July 29, 2015
Assistant Professor Sophia Brueckner’s Romance Series is featured in Altered Books – Digital Interventions, an online exhibition by the ACM SIGGRAPH Digital Arts Community, curated by Copper Giloth and Hye Yeon Nam.
Altered Books– Digital Interventions celebrates the book as an object that can carry experience, represent language, tell a narrative, convey culture, or archive memory in the context of contemporary arts.
For this ongoing series of work, I combine popular algorithms with traditional romance novels. After scanning all of the covers, I apply Photoshop’s Photomerge feature (originally intended to stitch together photos to make panoramas) to the images to produce dreamy, hybrid landscapes. Because the covers are so similar, the algorithm often finds areas that it believes should overlap. I print these landscapes on porcelain commemorative plates. Each plate also features a Popular Highlight from a romance novel on Kindle.
July 28, 2015
Alisha Wessler (MFA 2013) exhibits a new body of work at Smack Mellon (Brooklyn, NY) in A Story of a Story, an exhibition curated by Shlomit Dror.
A similar spread of strange objects awaits in Alisha Wessler‘s two table-top installations, though of a distinctly more mystical sort. One includes seedpods, the remains of birds, wasps’ nests, and a squirrel tail, while the other, “After the Soldiers and Shrikes” (2015), consists of a quasi-modernist geometric arrangement of honey locust thorns. (If Walter De Maria hadn’t died, but had merely been miniaturized in a freak shrinking ray accident, he might have made something that looked like this.) Considering these artifacts feels like peering into some foreign culture’s Wunderkammer, or analyzing the evidence gathered at the site of a pagan ritual. The threat of violence lurking in the beautiful honey locust thorns is not merely a product of their incredible sharpness and presentation reminiscent of arrowheads in a history museum; the thorns were used by Confederate soldiers during the Civil War to pin together their tattered uniforms, and the small carnivorous birds called shrikes are known to impale their prey on them. These stories might be impossible to discern without the helpful wall text provided, but the elegance and simplicity of “After the Soldiers and Shrikes” is deeply satisfying as its own formal end.
July 28, 2015
Ruth Weisberg’s (B.S.DES ‘63, M.A., ‘64) career, influences, and work are discussed in a Huffington Post essay by John Seed. Ruth Weisberg: Reflections Through Time, a survey of Weisberg’s art and legacy, is on display at L.A.‘s Jack Rutberg Fine Arts Inc. through August 29.
Weisberg’s current exhibition - Ruth Weisberg: Reflections Through Time - offers the opportunity to view and consider a selection of her key works. Most are drawings and prints, along with a single mixed media painting on canvas. “I see painting and drawing as tremendously inter-related,” Weisberg comments, “and printmaking has always been very important to me.” The show has been hung to forefront pairings of works and relationships between themes, and works that might have been made decades apart are often seen in close proximity.
Ruth Weisberg: Reflections Through Time
June 13 - August 29th, 2015
Jack Rutberg Fine Arts Inc.
357 North La Brea Avenue
Los Angeles, CA 90036
Waterbourne, 1973, Color Lithograph, 30 1/4 x 42 1/4 inches
July 28, 2015
Over fifty photographs by Richard Burd (BA 1965) are featured in Burd’s Eye View, an exhibition at Harbor Country Progress Gallery in Union Pier, MI.
For decades Burd’s photographs have delighted, intrigued and surprised viewers throughout the Midwest. Dick and his wife, Ginny, live in Bridgman.
Burd’s Eye View
Harbor Country Progress Gallery
16142 Red Arrow Hwy., Union Pier, MI
July 24, 2015
Images/GIF by Matthew Leifheit, VICE.com
Seven years in the making, this book is the latest and most ambitious part of a series that began with The Every Piece Of Art In The Museum Of Modern Art, which included drawings of every piece of art that was visible to the public at the museum from January 19 to January 31, 2005, and An Entire Bag of Popcorn, where I drew every individual kernel in a microwave bag of popcorn.
Read a recent interview about Jason’s process and the Every Person in New York project on Vice.com.
July 23, 2015
Opening at the Konstlitografiska museet on July 27, Sites of Memory: Lithographs of Endi Poskovic is the first comprehensive survey of professor Endi Poskovic’s work in lithography in Sweden. Curated by art historian and professor Dr. Marta Anna Raczek-Karcz, the exhibition presents 21 recent lithographs Poskovic produced at the studios of Nova Scotia College of Art and Design University, Halifax, Bellagio Center, Italy, Frans Masereel Centrum, Belgium, and Open Studio Toronto with the support of the Rockefeller Foundation, Guggenheim Foundation, Flemish Ministry of Culture, Canada Arts Council and the University of Michigan.
In her catalog essay about Poskovic’s work, Dr. Marta Anna Raczek-Karcz writes: “Poskovic’s Crossing series explores and redefines both the work of memory and cultural transformations imposed on the land. Crossing is an account of possible transformation, a visual history of land, culture, personal and media transfigurations, a never-ending story of a liquid modernity imprinted in daily experiences of human kind.”
Sites of Memory: Lithographs of Endi Poskovic
July 27 - August 8, 2015
522 94 Tidaholm, Sweden
Opening reception with the artist: Monday, July 27, 2015
While in Sweden, Endi Poskovic will present a keynote lecture and participate in the 7th International Lithographic Symposium 2015 at Tidaholm Academy.
July 23, 2015
A research collaborative known as r+d LAB, comprised of Stamps Professor John Marshall, Taubman College Professor Karl Daubmann, and Creative Many Director of Creative Industries Cézanne Charles, is one of three teams selected to develop public art and light projects for viaducts located in Midtown Detroit’s TechTown district.
Created for the MIDVIA (Midtown Viaducts Public Art + Light Project) with funding from the New Economy Initiative and the John S. and James L. Knight Foundation, r+d LAB’s project, Resonance, will transform Detroit’s historic Second Avenue viaduct into a vibrant pedestrian walkway.
“r+d LAB is committed to working to generate creative, environmentally responsive, and innovative solutions to Detroit’s urban challenges,” says John Marshall, principal, r+d LAB. “Built in 1934, the once magnificent Second Avenue viaduct had been poorly maintained and lacked adequate lighting, contributing to perceptions of the district as unsafe. We wanted to create a space that would make tangible the movement and meeting of passersby and amplify wayfinding with light, transforming the experience and usability of the space.”
Resonance builds on the naturally occurring bands of dark and light created by the viaduct’s arched openings, amplifying this sequential lighting and patterning as the user moves deeper into the space and in response to the presence of multiple people.
Consisting of 22 LED light boxes mounted on the viaduct walls and ceiling between each viaduct archway, Resonance increases the amount of available illumination the farther into the space one walks from either side. Each LED unit will have a range of sensors that trigger the lighting in response to the number, speed and direction of pedestrians in the space. This will generate a ‘pressure wave’ of increased illumination in advance of people as they walk. This wave will then burst and diffuse in a cascade of ripples when it meets the wave of someone coming from the opposite direction.
“From low-tech to interactive light experiences, the work of these artist teams exemplifies experimentation and new ideas, further positioning TechTown as an innovation district,” says Susan Mosey, President of Midtown Detroit, Inc., the organization administering the MIDVIA.
Resonance will begin construction this summer.
About r+d LAB: r+d LAB grows out of a meshing of rootoftwo (Cézanne Charles and John Marshall) + DAUB (Karl Daubmann). In 2014 they formed r+d LAB, LLC. as a research-led collaborative entity to remix models of practice including laboratory, workshop, think-tank, garage, studio, and agency that lead to innovative approaches, designs and environments.
rootoftwo + DAUB have collaborated on a number of projects since 2008 including “menotme” - a luminous, playful, responsive form designed to provoke public affection for DLECTRICITY in 2012; “THR_33 (Teahouse for Robots)” - a project for the National Museum of Modern Art, Kyoto, Japan, 2010; and the “Shadow Pavilion” - a temporary structure for Matthaei Botanical Garden, Ann Arbor, Michigan. “Shadow Pavilion” received Architect Magazine’s 2010 R+D Award for architectural research.
r+d LAB: Karl Daubmann, Cézanne Charles, and John Marshall.
About MIDVIA: MIDVIA (Midtown Viaducts Public Art + Light Project) is one of the recommended interventions stemming from the TechTown District Plan, which aims to improve safety, accessibility and placemaking efforts in the area. Midtown Viaducts partners include: the New Economy Initiative, the John S. and James L. Knight Foundation, Midtown Detroit, Inc., the City of Detroit, Consolidated Rail Corporation, and CN Rail.
About MDI: Midtown Detroit Inc. is a nonprofit planning and development organization that supports the physical maintenance and revitalization of the Midtown Detroit neighborhood, while working to enhance public awareness, appreciation and use of the district.
About the New Economy Initiative: The New Economy Initiative, a special project of the Community Foundation for Southeast Michigan, is the largest economic development initiative of its kind working to build a network of support for entrepreneurs and small businesses, with the mission to create an inclusive, innovative regional culture by reawakening and leveraging Detroit’s creative entrepreneurial drive.
About the John S. And James L. Knight Foundation: The Knight Foundation supports transformational ideas that promote quality journalism, advance media innovation, engage communities and foster the arts. The foundation believes that democracy thrives when people and communities are informed and engaged.
July 21, 2015
Rebecca Zemans (BFA 2010, BA 2010) was recently interviewed by Mike Stephen of Outside the Loop, a radio show on WGN 720 AM in Chicago. Stephen highlights interesting and unique businesses around the city that are not located downtown. Zemans said, “I was flattered that he asked to highlight my studio and the work that I do! I love how even though the end result of what I do is so visual, he was able to capture the sounds of my creative process.”